In his new single, "Uranium Glass," Monsieur Herr takes the concept of pop music, smashes it against a mirror, and asks you to walk through it barefoot. It's singing with songs that serve a higher purpose than being palatable, more personal than a minstrel ever could be, and all after impossible to look away from once you've been ensnared by its bizarre glow.
"Uranium Glass" doesn't present itself as a crowd-pleaser so much as a philosophical experiment in synth-laden coolness. It pops as a blueprint, a flexible exoskeleton for narrative, performance, self-concept, and other slippery phenomena. Herr's music is challenging to keep up with.
There's an invigorating lack of explanation in the way Monsieur Herr declines to explain himself. Instead, he employs the song with dualities of image vs. identity, artist vs. audience, self vs. other. You might be missing the point altogether if you're listening for aural pleasantry, sometimes melodically or other times lyrically. But if you lean in, open-minded and ready to wrestle with something deliciously dissonant, "Uranium Glass" feels less like a song and more like an experience, a thought experiment in sound.
"Uranium Glass" is pure Monsieur Herr, a hall of mirrors that reflects both the artist and your prejudices about what pop should be. Whether you love or are puzzled by it, Monsieur Herr could care less about being your favorite. He wants to be unforgettable, and he is successful with "Uranium Glass."

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